引用次数
引用: 12,062
H-指数: 49
I10-指数 : 170
出版物: 363
Integrating nonspatial, nontemporal multisensory information in action-based perception
F. Avanzini , M. Wanderley , S. McAdams , B.L. Giordano
1
2009
Multisensory integration in percussion performance [CD-ROM]
F. Avanzini , M. Wanderley , S. McAdams , B.L. Giordano
Société Fran\ccaise d'Acoustiqu
2010
Sonification of musicians' ancillary gestures
O. Quek , M. Wanderley , V. Verfaille
Georgia Institute of Technology
11
2006
Trends in Gestural Control of Music
Marcelo M. Wanderley , Marc Battier
194
2000
Instrumental Gestural Mapping Strategies as Expressivity Determinants in Computer Music Performance
Philippe Depalle , Marcelo M. Wanderley , Shlomo Dubnov , Joseph Butch Rovan
KANSEI - The Technology of Emotion 68 -73
112
1997
Visual methods for the retrieval of guitarist fingering
Anne-Marie Burns , Marcelo M. Wanderley
new interfaces for musical expression 196 -199
44
2006
Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis
Alexandre Bouënard , Sylvie Gibet , Marcelo M. Wanderley
international computer music conference 2009 255 -261
10
2009
Studying Free Dance Movement to Music
Alexander Refsum Jensenius , Carmine Casciato , Marcelo M. Wanderley
Proceedings of ESCOM 2005 Performance Matters! Conference
6
2005
Musical Gestures: concepts and methods in research
Marcelo M. Wanderley , Rolf Inge Godøy , Marc Leman , Alexander Refsum Jensenius
Musical gestures : sound, movement, and meaning 12 -35
70
2010
Mapping and Dimensionality of a Cloth-based Sound Instrument.
Sha Xin Wei , Marcelo M. Wanderley , Freida Abtan , David Birnbaum
Sound and Music Computing
2007
On the choice of transducer technologies for specific musical functions
Xavier Rodet , Marcelo M. Wanderley , Fabrice Isart , Jean-Philippe Viollet
international computer music conference 2000
45
2000
Towards a Model for Instrumental Mapping in Expert Musical Interaction
Marcelo M. Wanderley , Andy Hunt , Ross Kirk
international computer music conference 2000
114
2000
Improving instrumental sound synthesis by modeling the effects of performer gesture
Philippe Depalle , Marcelo M. Wanderley , Olivier Warusfel
international computer music conference 1999
9
1999
Recognition, Analysis and Performance with Expressive Conducting Gestures
Paul Kolesnik , Marcelo M. Wanderley
international computer music conference 2004
24
2004
Extraction of gestural Meaning from a Fabric-Based Instrument.
Doug Van Nort , Sha Xin Wei , Marcelo M. Wanderley , David Gauthier
international computer music conference 2007
2
2007
A SYSTEMATIC APPROACH TO MUSICAL VIBROTACTILE FEEDBACK
Marcelo M. Wanderley , David M. Birnbaum
international computer music conference 2007
24
2007
THE MUSIC TECHNOLOGY PROGRAM AT MCGILL UNIVERSITY
Gary P. Scavone , Marcelo M. Wanderley
international computer music conference 2004
2004
FROM CONTROLLER TO SOUND: TOOLS FOR COLLABORATIVE DEVELOPMENT OF DIGITAL MUSICAL INSTRUMENTS
Stephen Sinclair , Marcelo M. Wanderley , Joseph W. Malloch
international computer music conference 2007
23
2007
Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System
Marcelo M. Wanderley , Marcello Giordano , M. Marlon Schumacher , Emma Frid
international computer music conference 2014 954 -961
3
2014
DEVELOPING TOOLS FOR STUDYING MUSICAL GESTURES WITHIN THE MAX/MSP/JITTER ENVIRONMENT
Alexander Refsum Jensenius , Marcelo M. Wanderley , Rolf Inge Godøy
international computer music conference 2005 282 -285
29
2005
Joseph Malloch Stephen Sinclair Caroline Palmer Bradley W. Vines sylvie gibet Daniel J. Levitin Mark T. Marshall Marcello Giordano Carol Lynne Krumhansl Andy Hunt Eduardo Meneses Ian Hattwick Alexander Refsum Jensenius Doug Van Nort Stéphane Huot Ivan Franco Christian Frisson Travis J. West Eduardo R Miranda Andrew McPherson