Homer in the French Renaissance*

作者: Philip Ford

DOI: 10.1353/REN.2008.0159

关键词: FifteenthReading (process)The RenaissancePublishingMiddle AgesHistoryInterpretation (philosophy)LiteraturePerformance artPoetryLiterature and Literary TheoryVisual Arts and Performing Arts

摘要: Although the works of Homer remained unknown in Western Europe for much of the Middle Ages, their reappearance was welcomed enthusiastically in France toward the end of the fifteenth century by the small band of scholars capable of reading Greek. The founding of the Collège des lecteurs royaux in 1530 gave a fillip to Homeric studies, and partial editions of Homer were printed in Paris, aimed at a student audience. French translations also helped to bring the poems to a wider audience. However, the question of the interpretation of Homer was central to the reception of the two epics, and, after examining the publishing history, this paper sets out to assess how succeeding generations of scholars set about reading and teaching the prince of poets.

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