作者: Panayiotis A. Kokoras
DOI:
关键词: Musical form 、 Timbre 、 Dimension (data warehouse) 、 Element (category theory) 、 Acoustics 、 Human–computer interaction 、 Structuring 、 Musical 、 Computer science 、 Identity (object-oriented programming) 、 Electroacoustic music
摘要: The use of sonic attributes as a form-bearing dimension has undoubtedly opened up new possibilities for the composer. At same time this content raised question what is procedure structuring form by means timbre. On basis that timbre can be main element and strongly related to form, then must suggest well. However, there no past reference, at least in western music, describe such procedure. This paper provides aims identify clarify an analytical model capable giving exegesis about relationship between form. It also offers analysis primary principles on which potential musical built. studies organizing internal work give unit its specific identity, functional relationships it other units, ordering direction those units.