Film-induced tourism, city-branding and place-based image: the cityscape of Naples between authenticity and conflicts.

摘要: The paper aims at analysing the connections between film-induced tourism, city-branding and place-based image through case-study of Naples, particularly deepening role played by urban policies not only in promoting or sustaining but also refusing some specific city’s representations. In first part we will explore this relationship focusing attention on changing representations city films changes produced carried out phase so-called Neapolitan Renaissance . second be dedicated to deepen link images conveyed media touristic sector, emphasizing official Campania Region Film Commission third focus conflicts involving actors about existence a potential negative periodical crisis (for garbage, organized crime difficulties administrative management) tourist flows. We argue that duplicity proposes new way traditional dual cityscape, inspiring different notion “authenticity”.