No Higher Life: Bio-aesthetics in J. M. Coetzee's Disgrace
作者： Carrie Rohman
关键词: Art 、 Opera 、 Species barrier 、 Aesthetics 、 Articulation (sociology)
摘要: This essay theorizes the aesthetic in J. M. Coetzee’s Disgrace as a tendency of living-in-general through an emphasis on protagonist’s devolving chamber opera. The bio-aesthetic this articulation profoundly exceeds domain human and should be viewed creaturely orientation life to other life. species barrier is therefore rendered porous becominganimal art novel. becoming leads protagonist toward eroticoartistic posture that margins properly “human” world.
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