Experimental Politics and the Making of Worlds

摘要: Creative strategies have been central to global social movements. From the theatrics of 1999 Seattle protests, rebel clowns at 2005 G8 summit in Gleneagles and antics Yes Men, crossovers between art politics increasingly become more visible prolific. This book explores an innovative form creative communicative politics: ‘performative encounter’, as a strategy for facilitating new ways being, relating making worlds. Unlike existing scholarship that frames such encounters artistic or cultural terms, this analyzes performative through organizational lens accentuate their social-political potential, engaging wealth material from autonomist philosophy, political science, performance studies, geography movement texts. Intertwining conceptual ethnographic research, it uniquely maps out one narrative encounter, tracing line twentieth century Berlin Dadaists, Situationist International, several contemporary German collectives campaigns, showing how intervene local issues privatization public space resources, human mobility corporatization education.