作者： Berkeley Undergraduate Journal
DOI:
关键词: Aesthetics 、 Gender studies 、 Reading (process) 、 Promotion (rank) 、 Performance art 、 Cane 、 Art 、 Representation (arts) 、 Ambiguity 、 African american
摘要: When Jean Toomer's modernist experimental novel Cane was published in 1923, both he and the text were taken to be representative voices of African American life, even though Toomer explicitly renounced these labels during Cane's pre-publication promotion. The larger project