Perceptual Segment Clustering For Music Description And Time-axis Redundancy Cancellation.

作者: Tristan Jehan

DOI:

关键词:

摘要: Repeating sounds and patterns are widely exploited throughout music. However, although analysis music information retrieval applications often concerned with processing speed description, they typically discard the benefits of sound redundancy cancellation. We propose a perceptually grounded model for describing as sequence labeled segments, reducing data complexity, compressing audio.

参考文章(12)
Jonathan Foote, Matthew L. Cooper, Visualizing Musical Structure and Rhythm via Self-Similarity international computer music conference. ,vol. 2001, ,(2001)
Martin F. McKinney, Jeroen Breebaart, Features for audio and music classification international symposium/conference on music information retrieval. ,(2003)
Perfecto Herrera, Geoffroy Peeters, Xavier Serra, Audio Descriptors and Descriptor Schemes in the Context of MPEG-7 international computer music conference. ,vol. 1999, ,(1999)
T. Painter, A. Spanias, A review of algorithms for perceptual coding of digital audio signals international conference on digital signal processing. ,vol. 1, pp. 179- 208 ,(1997) , 10.1109/ICDSP.1997.628010
Marina Bosi, Richard E. Goldberg, Introduction to digital audio coding and standards ,(2002)
John M. Grey, Timbre discrimination in musical patterns Journal of the Acoustical Society of America. ,vol. 64, pp. 467- 472 ,(1978) , 10.1121/1.382018
Ernst Terhardt, Calculating virtual pitch Hearing Research. ,vol. 1, pp. 155- 182 ,(1979) , 10.1016/0378-5955(79)90025-X
Hugo Fastl, Eberhard Zwicker, Psychoacoustics: Facts and Models ,(1990)
Multifeature audio segmentation for browsing and annotation workshop on applications of signal processing to audio and acoustics. pp. 103- 106 ,(1999) , 10.1109/ASPAA.1999.810860