Acoustic Analysis of Madhya and Taar Saptak/Sthayi in Indian Classical Singers

摘要: Objectives: We aimed to compare the acoustic parameters of voice between Madhya Saptak/Sthayi (MS) and Taar (TS) in trained Indian classical singers males females. Participants Method: Sixty-five adult were instructed produce MS TS; analyzed with Multidimensional Voice Program. Descriptive statistics used for analysis across tasks gender. Two-way random-effects ANOVA was test effect gender task. Results: Male participants had a restricted range fundamental frequency (F0), especially at high pitches. The showed statistically significant difference F0 measures, F0, jitter pitch perturbation quotient females during TS. Conclusion: use TS, that is, high-pitch phonation, clinical evaluation enables an understanding their vocal behavior higher scales singing.