A journey towards the development of a sound-led interdisciplinary performance: Agorá

作者: Giuseppe Torre

DOI: 10.1080/14794713.2014.992220

关键词:

摘要: Many live performance practitioners have explored the development of gestural controllers in hope achieving natural and intimate interaction with their instrument. While relevant literature offers a great deal techniques for mapping strategies that link physical gestures to sounds, resources discussions on how these been used practical are, comparison, less dense. The advantage providing detailed documentation clear picture as why implemented context would ultimately provide an additional necessary tool proper analysis itself. This article presents, analyses discusses journey Agora, sound theatre written custom-built data glove named ‘Pointing-at’. both theoretical elements formed ba...

参考文章(16)
A. Cavan Fyans, Michael Gurevich, Perceptions of Skill in Performances with Acoustic and Electronic Instruments new interfaces for musical expression. pp. 495- 498 ,(2011)
Rolf Inge Godøy, Musical Gestures Godoy, Rolf Inge & Leman, Marc (Eds.). (2009). Musical gestures : sound, movement, and meaning. . London: Routledge, pp. 36-68. pp. 36- 68 ,(2009) , 10.4324/9780203863411
Julie Wilson-Bokowiec, Mark Alexander Bokowiec, Kinaesonics: The intertwining relationship of body and sound Contemporary Music Review. ,vol. 25, pp. 47- 57 ,(2006) , 10.1080/07494460600647436
Caroline Wilkins, A dramaturgy of digital sound: Towards an aesthetic approach International Journal of Performance Arts and Digital Media. ,vol. 9, pp. 329- 345 ,(2013) , 10.1386/PADM.9.2.329_1
Rajmil Fischman, A Manual Actions Expressive System (MAES) Organised Sound. ,vol. 18, pp. 328- 345 ,(2013) , 10.1017/S1355771813000307
Julie Wilson-Bokowiec, Physicality: The techne of the physical in interactive digital performance International Journal of Performance Arts and Digital Media. ,vol. 6, pp. 61- 75 ,(2010) , 10.1386/PADM.6.1.61_1
Camille Goudeseune, Interpolated mappings for musical instruments Organised Sound. ,vol. 7, pp. 85- 96 ,(2002) , 10.1017/S1355771802002029
Vincent Verfaille, Marcelo M. Wanderley, Philippe Depalle, Mapping strategies for gestural and adaptive control of digital audio effects Journal of New Music Research. ,vol. 35, pp. 71- 93 ,(2006) , 10.1080/09298210600696881
F. Richard Moore, The dysfunctions of MIDI Computer Music Journal. ,vol. 12, pp. 19- 28 ,(1988) , 10.2307/3679834