Tōru Takemitsu’s Collaborations with Masahiro Shinoda: The Music for Pale Flower, Samurai Spy and Ballad of Orin
作者： Timothy Koozin
DOI: 10.1017/9781316146781.021
关键词:
摘要:
sci-hub.se 参考文章(149)
Rebecca Coyle, Thwack! hearing the motion in animation Animation. ,vol. 17, pp. 3- 6 ,(2009)
The Oxford handbook of sound and image in digital media Oxford University Press. ,(2013) , 10.1093/OXFORDHB/9780199757640.001.0001
K.J. Donnelly, Hearing deep seated fears: John Carpenter's The Fog (1980) Routledge. pp. 164- 179 ,(2009) , 10.4324/9780203860311-15
Raymond Knapp, Mitchell Morris, Tin Pan Alley Songs on Stage and Screen before World War II ,(2011) , 10.1093/OXFORDHB/9780195385946.013.0007
Philip Hayward, Polar grooves: dance music and musicality in Happy Feet pp. 90- 103 ,(2010)
Ian Conrich, Estella Tincknell, Film's musical moments Edinburgh University Press. ,(2006) , 10.3366/EDINBURGH/9780748623440.001.0001
Music, Sound and Filmmakers : Sonic Style in Cinema Routledge. ,(2012) , 10.4324/9780203343098
G Biancorosso, Where does the music come from?: Studies in the aesthetics of film music Princeton University, NJ. ,(2002)
Scott Murphy, The Major Tritone Progression in Recent Hollywood Science Fiction Films Music Theory Online. ,vol. 12, ,(2006) , 10.30535/MTO.12.2.2
Juan Chattah, Semiotics, Pragmatics, and Metaphor in Film Music Analysis ,(2006)