What's in a Price? An Ethnography of Tribal Art at Auction

作者: Haidy Geismar

DOI: 10.1177/135918350100600102

关键词:

摘要: Typically, the auction house salesroom has been conceived of as an exemplary market: a place in which ultimate price is fixed by persons at particular moment. This perspective relies on static a-historical view isolated marketplace. study views sale tribal art one part wider economic set, within objects and interact to momentarily assign (or not). It thereby expands common anthropological use notion ‘tournament’ value (Appadurai, 1986). A brief background history market precedes examination ‘distributed object’ (Gell, 1998): series events from catalogue viewing, performance sale. Within each these situations, shown be ambiguous malleable processes valuation over space time.

参考文章(25)
Arjun Appadurai, The Social Life of Things Research Papers in Economics. ,(1988)
Brian Durrans, Ivan Karp, Steven D. Lavine, Exhibiting Cultures: The Poetics and Politics of Museum Display Man. ,vol. 27, pp. 656- ,(1992) , 10.2307/2803948
Angela Cheater, Roy Dilley, Contesting markets : analyses of ideology, discourse and practice Man. ,vol. 29, pp. 481- ,(1994) , 10.2307/2804503
Ruth B Phillips, Ruth B Phillips, Christopher B Steiner, Unpacking culture : art and commodity in colonial and postcolonial worlds University of California Press. ,(1999)
Margaret Drabble, A Natural Curiosity ,(1989)
Alison J. Clarke, Window Shopping at Home: Classifieds, Catalogues and New Consumer Skills The Blackwell Cultural Economy Reader. pp. 266- 288 ,(2008) , 10.1002/9780470774274.CH15
Raymond Corbey, African Art in Brussels Anthropology Today. ,vol. 15, pp. 11- 16 ,(1999) , 10.2307/2678355