As though they meant her no harm, María Enríquez remade the friends who abandoned her – their intentions, their possibilities, their worlds – inviting them (perhaps, it is true) to dance1

摘要: By using the range of tones, cadences, emotional ointments women often have possessed, this article focuses on a woman who claimed she was physically abused. It travels with her subtle emotionality, following glances, artistry as summoned help, and finding it nowhere but within, remade world striking tenderness grace.