作者: Karen Jacobs
DOI: 10.1080/14442213.2011.586358
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摘要: The Kamoro Arts Festival was organised annually between 1998 and 2006 by the Freeport mining company, which exploits Amungme region on southwest coast of Papua. festival aimed to revive culture provide a market purchase carvings for invited VIP guests. By analysing as social interaction, this paper investigates role format production carvings. These are testimonies historical political changes while expressing enduring values. Even though is no longer organised, its study reveals some core issues reciprocity.