The art of art history : a critical anthology

摘要: Introduction to the New Edition Art History: Making Visible Legible 1. ART AS HISTORY Preface Part III of 'The Lives' Reflections on Imitation Greek Works in Painting and Sculpture Winckelmann Divided: Mourning Death History Patterns Intention 2. AESTHETICS What is Enlightenment? Philosophy Fine Impure Mimesis, or Ends Aesthetic Fetish 3. FORM, CONTENT, AND STYLE Principles Style 'Form', Nineteenth-Century Metaphysics, Problem Historical Description 'Style' 4. ANTHROPOLOGY AND/OR Leading Characteristics Late Roman 'Kunstwollen' Images from Region Pueblo Indians North America Warburg's Concept 'Kunstwissenschaft' its Meaning for Aesthetics Silent Moves: On Excluding Ethnographic Subject Discourse 5. MECHANISMS OF MEANING Iconography Iconology: An Study Renaissance Semiotics A Discussion Contexts Senders Meaning/Interpretation 6. THE LIMITS INTERPRETATION The Temptation Perspectives Origin Work Still Life as a Personal Object - Note Heidegger van Gogh Restitutions Truth Pointing [Pointure] 7. AUTHORSHIP IDENTITY an Author? Others: Feminists Postmodernism Re-Viewing Modernist Criticism Performative Acts Gender Constitution: Essay Phenomenology Feminist Theory Postmodern Automatons 'Every Man Knows How Beauty Gives Him Pleasure': Logic Queer Wallpaper 8. GLOBALIZATION ITS DISCONTENTS Orientalism Exhibitionary Order Museum Ritual Age Technological Reproducibility (Third Version) Can Our Values be Objective? Ethics, Aesthetics, Progessive Politics Visual Culture Studies: Questions History, Theory, Practice 'Life-Like': Historicizing Process Digital Epilogue: Coda: Plato's Dilemma Tasks Historian Today