摘要: AbstractJoseph Neparrŋa Gumbula (1954–2015) had an atypical scholarly trajectory. Born into a long line of Yolŋu leaders in the remote town Milingimbi Arnhem Land Aboriginal Reverse, he left school his mid-teens for neighbouring Galiwin’ku 1971, where joined country and gospel band, Soft Sands, as singer guitarist. Through passion making music admission to ritual leadership 1997, discovered new calling researching documented legacy family history ethnographic collections around world. This pursuit set him on unprecedented path towards leading national research grants supported by fellowships at various universities. His would return rare precious materials dating back far edge living memory 1920s, exemplify how Indigenous heritage can be grown, managed made accessible with broad benefits. Paralleling emergence affordable digital media technologies, interests progressed accordingly from isolated local databases clouded mobile delivery platforms. The interdisciplinary networks that built were reaching have lasting impacts. In this article, I expand upon my Memorial Lecture 2017 Information Technologies Communities (ITIC) Symposium Melbourne explore challenged students colleagues think work beyond conventions disciplinary professional methodologies, thereby transforming our understandings knowledge itself encouraging us act proactive agents
sci-hub.se 参考文章(25)
Aaron Corn, Ancestral, Corporeal, Corporate: Traditional Yolŋu Understandings of the Body Explored Borderlands e-journal. ,vol. 7, ,(2008)
Fiona Magowan, Melodies of Mourning: Music and Emotion in Northern Australia ,(2007)
Paula Brown Glick, L. R. Hiatt, Australian aboriginal concepts Man. ,vol. 14, pp. 761- ,(1979) , 10.2307/2802169
Lynette Russell, None, Boundary writing : an exploration of race, culture, and gender binaries in contemporary Australia University of Hawaiʾi Press. ,(2006)
Lindy Allen, Louise Hamby, Pathways to Knowledge: Research, Agency and Power Relations in the Context of Collaborations Between Museums and Source Communities Unpacking the Collection. pp. 209- 229 ,(2011) , 10.1007/978-1-4419-8222-3_9
Aaron Corn, Nations of Song Humanities research. ,vol. 19, pp. 145- ,(2013) , 10.22459/HR.XIX.03.2013.12
Katelyn Barney, None, Collaborative Ethnomusicology: New Approaches to Music Research between Indigenous and Non-Indigenous Australians Lyrebird Press. ,vol. 13, ,(2014)
Sarah Byrne, Robin Torrence, Anne Clarke, Rodney Harrison, Unpacking the Collection: Networks of Material and Social Agency in the Museum Springer. ,(2011)
Ronald Murray Berndt, Love songs of Arnhem Land ,(1978)
Ian Keen, Knowledge and Secrecy in an Aboriginal Religion ,(1994)