作者: Stuart Reeves , Sarah Martindale , Paul Tennent , Steve Benford , Joe Marshall
DOI: 10.1145/2699758
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摘要: We present a study of how filmmakers collected and visualized physiological data—“biodata”—to construct series short promotional films depicting people undergoing “thrilling” experiences. Drawing on ethnographic studies two major advertising campaigns, we highlight key concerns for integrating sensors sensor data into film production. Our findings address the perceived benefits using biodata within narratives; nature different on-screen representations biodata; challenges presented when production processes. this, reconsider information visualization in filmmaking context. Further implications from our case provide recommendations human--computer interaction (HCI) collaborations with broadcast industries, focusing both practical matters fitting technologies handling workflows, as well discussing broader managing veracity that professional media