作者: Alan Gordon
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摘要: L’article ci-dessous etablit une analogie entre les representations des peintres paysagistes et la construction de villages-musees pionniers. Si concevaient scenes maniere a privilegier certaines vues en effacer d’autres, pionniers ont, sensiblement meme facon, construit selectives du paysage. Bon nombre ces villages ont ete amenages par organismes gestion eaux, leur origine est etroitement liee aux transformations paysage engendrees barrages sur rivieres ou cours d’eau. A vrai dire, musees euxmemes donne forme certaine representation patrimonial placant bâtiments, sentiers, jardins arbres, souvent autour plans d’eau, reconstituer l’apparence d’un etablissement canadien au XIXe s iecle. Abstract: This paper draws an analogy between landscape painting and the of pioneer village museums. Much as framed in ways that privileged certain views erased others, museums built selective landscape. Many were by flood water management agencies their origins are closely connected to changes wrought damming rivers streams. In fact, themselves shaped ideas heritage placing buildings, paths, gardens, trees, often around features, meant evoke sense how Canadian settlement looked nineteenth century.