摘要: This e-book addresses questions surrounding the constructions of space, culture, society, identity and representation. The geography cinema extends beyond screen, director audience, to include wider industrial political complex cultural economy. In this sense, culture can be viewed as an economic commodity set within broader frame globalization postmodernism. A cinematic world occupies a territory between our city’s streets, Cineplex, TV set, geographical imagination identity. These contexts invite inquiries into production, distribution, exhibition, consumption film well global cinema, hapticalities viewing, critical economies, ethnographies. collection provides unique eclectic insights exciting emerging subfield geography.
steiner-verlag.de
jstor.org 
sci-hub.se 参考文章(35)
Tim J. Cresswell, Deborah P. Dixon, Engaging Film: Geographies of Mobility and Identity Rowman & Littlefield. ,(2002)
Andreas Schelske, Die kulturelle Bedeutung von Bildern Deutscher Universitätsverlag. pp. 324- 352 ,(1997) , 10.1007/978-3-663-09735-8_4
Jean Baudrillard, Simulacra and Simulation ,(1981)
F. Thompson, R. Jackson, S. Davin, D. Crouch, Tourists and television viewers - some similarities. The media and the tourist imagination: converging cultures. pp. 170- 182 ,(2005)
Mark Jancovich, Sarah Subbings, Lucy Faire, The Place of the Audience: Cultural Geographies of Film Consumption ,(1993)
Pamela Shurmer-Smith, Doing Cultural Geography ,(2002)
David Clarke, The Cinematic City Routledge. ,(1997) , 10.4324/9780203973363
Elisabeth Bronfen, Home in Hollywood: The Imaginary Geography of Cinema ,(2004)
Gerhard Maletzke, Interkulturelle Kommunikation : zur Interaktion zwischen Menschen verschiedener Kulturen Westdeutscher Verlag. ,(1996)
Pierre Boulanger, Le cinéma colonial de "l'Atlantide" à "Lawrence d'Arabie" Seghers. ,(1975)