Synchronization and Self-Organization as Basis of Musical Performance, Sound Production, and Perception

作者: Rolf Bader

DOI: 10.1007/978-3-319-00107-4_1

关键词:

摘要: Nonlinearities and Self-organization are basic principles of many aspects music production perception, tone musical instruments, perception timbre, movement, or tonality. This self-organizing nature is responsible for instruments to play harmonic overtone series at all, leads the development within initial transient phase tones, a basis articulation performance. In terms synergetic models most suitable explain sudden changes in performance rhythmic patterns. Also with tone, tonality very close neural networks so able model as known from listeners accurately. Therefore, understanding needs examination nonlinear effects present acoustics psychology. The paper also suggests an Impulse Pattern Formulation (IPF) scheme tones which comes real instrument behavior, both its steady-state well played notes.

参考文章(79)
J.A Robles, Godel, escher, bach: an eternal golden braid (hofstadter d) Crítica (México, D.F.). ,vol. 12, pp. 96- 101 ,(1980)
Bernhard U. Seeber, Masking and Critical Bands spa. pp. 229- 240 ,(2008) , 10.1007/978-0-387-30441-0_16
Otto F. Ranke, Physiologie des Gehörs Lehrbuch der Physiologie. pp. 1- 162 ,(1953) , 10.1007/978-3-642-92599-3_1
B Benoît Fabre, A Avraham Hirschberg, Physical modeling of flue instruments : A review of lumped models Acustica United with Acta Acustica : the Journal of the European Acoustics Association. ,vol. 86, pp. 599- 610 ,(2000)