MIDDLEMARCH ON SCREEN: FROM THEORY TO PRACTICE

摘要: Many literary critics refer to the media adaptations of great works literature, as inferior and subsidiary, lacking inborn aesthetic techniques which original text enjoys. Thus, a fundamental question is posed regarding very source origin adaptation; why how does an adaptation come into being, what factors are involved in author's canonization adaptation’s success or failure? In response such central questions, one must individual’s primary fascination with particular piece work film director, turn ends up pictorial representation his/her joyful experience, attaining interpersonal scope through active participation audience. Hence, current article seeks discuss 19 th century work, like George Eliot’s Middlemarch, can operate potential means communication transformation between author audience, text, culture help virtual reality narratology techniques. turn, goals be achieved by multidimensional analysis mentioned elements Middlemarch its filmic independent art. Keywords: Eliot, , Adaptation, Narratology, Media culture, Virtual