The Aesthetic Core of the Work of Art: The Boundaries of Its Phenomenological Description

摘要: Being in agreement with Marvin Farber’s claim that “a strict interpretation of phenomenology as a descriptive philosophical method and discipline is possible, alone capable gaining general acceptance,”1 I intend to draw attention the pertinence this idea efforts aestheticians who have tried describe aesthetic structure work art. would not insist rigorous application Husserl’s conditio sine qua non project. Nevertheless, analyzing Lukacs’s aesthetics found his conscious self-distantiation from even rudiments phenomenological methodology had no beneficial effect on terminological clarity abstractive distinctness presentation.2 it perhaps accident despite differences philosophy both these thinkers set limits description at same level, structural model