The Early Stage of Perception of Contemporary Art Music: A matter of time

摘要: By way of a multidisciplinary approach, this article advances the idea that our listening to certain practices contemporary art music (electroacoustic, classical contemporary, and electronic music) relies on precise connections early stage perception. These styles are characterised by essential sound configurations evolve in time, thus eliciting sensorial impact which transcends features regarding sources affective responses. Listeners grasp what Scruton calls ‘pure events’ ‘world sound’, being able distinguish, separate sort acoustic stimuli. The establishes key parallel among seminal works Bregman, McAdams, Kubovy, Bayle other authors, highlighting fundamental agreement perceptual studies psychology, neurophysiology musicology for understanding Music typical perspective develop configurations, such as figure/ground arrangements, recurrent elements morphological distinction, closely mirror innate mechanisms prediction A is made between philosophy perception allows us postulate these essentially based pure temporal proto-objects.