Portfolio and Exegesis: Composing Through a Spectral Scope

摘要: The current research focuses on the spectral nature of sound, its timbre manipulation and contribution to overall syntax a composition. It describes compositional thinking that emerged in early 20th Century, further recognized by spectralists, which acknowledges as an autonomous phenomenon agent music creation. also composers’ technological advancements influences from electronic studios adaptation techniques acoustical domain. Furthermore, it includes my methodology preoccupations concerning creation models reliance dynamic analysis for fabrication material serve guide formal structures.