作者: Brigitte Peucker
DOI:
关键词: Art 、 Realism 、 Dance 、 Literature 、 Portrait 、 Taste (sociology) 、 Representation (arts) 、 Uncanny 、 Sculpture 、 Choreography
摘要: Table of Contents Acknowledgments Introduction: Art and the Real in Film... Material Effects Reality Effects/Games With Illusion Mimetic Drive I. Embodimentu Chapter 1: The Moment Portraiture: Scorsese Reads Wharton... Intermedial Layering: Tableau Picture Writing 2: Dutch Realism: Vermeer, Greenaway, Wenders... Vivant Hybridity "The Flesh a Human Presence" Keplerian Mode Operation Eye Why Vivant? 3: Fascist Choreography: Riefenstahl's Tableaux... Tableaux Trionfi Body Art: Sculpture Dance Photograph 4: Scene Hitchcock Hitchcock, Part I: Cut Representation... ... Natures mortes, Trophies, Mummies Janus-Face Decapitations: Cut-outs Busts vivants femmes mortes Shield Perseus P-'y" II. Illusions II: Looks Back... Portrait, Window, Mirror "Reality Bleed" Spectator Film Oscillating 5: Kubrick Kafka: Corporeal Uncanny... Photographs Stories Images "Canniness," or Vital Domain Shutting Eyes/Eyes Wide Shut 6: Castrato's Voices: Fassbinder's In Year Thirteen Moons... Textualities, Voice, Maternal Voice: Word Into Tableau: Elvire's Passion Mute Body/Flayed Text III. Embodied Spectatorship 7: Violence Affect: Haneke's Modernist Melodramas Haneke, BourgeoisTableaux... Cold Image, Hot Affect Assaulting Other Games... Looking Pain Masochistic Sentiment, Music, 8: Horror: Taste, Cannibalism, Visual Display... Touch, Vision Metaphorical Cannibalism: Hitchcock's Hunger Literal Psychotic Appetites, as Mouth Notes Index