作者: Pascale Aebischer
DOI:
关键词: Movie theater 、 Digital media 、 Art history 、 Tragedy 、 Filmography 、 Changeling 、 Humanities 、 Queer 、 Performance art 、 Drama 、 Art
摘要: Introduction: beyond Shakespeare: the contemporary Jacobean film 1. Derek Jarman's queer aesthetic: Caravaggio and Edward II 2. The preposterous film: Peter Greenaway's Cook, heritage Shakespeare sexual exploitation in Mike Figgis's Hotel 3. Third cinema, urban regeneration Alex Cox's Revengers Tragedy 4. Early modern performance digital media: remediation evolving archival canon 5. Bend it like Nagra: mainstreaming Changeling Sarah Harding's Compulsion Conclusion: early dramatists on twenty-first-century screens Appendix Chronological list of surviving adaptations Annotated filmography: drama screen, 1926-2012.