A Concise Companion to Shakespeare on Screen

摘要: Acknowledgements. Notes on Contributors. Bibliographical Note. Chronology. Introduction: Through a Camera, Darkly (Diana E. Henderson). 1. Authorship: Getting Back to Shakespeare: Whose Film is it Anyway (Elsie Walker). 2. Cinema Studies: "Thou Dost Usurp Authority": Beerbohm Tree, Reinhardt, Olivier, Welles, and the Politics of Adapting Shakespeare (Anthony R. Guneratne). 3. Theatricality: Stage, Screen, Nation: Hamlet Space History (Robert Shaughnessy). 4. The Artistic Process: Learning from Campbell Scott's 5. Cinematic Performance: Spectacular Bodies: Acting + (Barbara Hodgdon). 6. Gender Shakespeare, Sex, Violence: Negotiating Masculinities in Branagh's Henry V Taymor's Titus (Pascale Aebischer). 7. Globalization: Figuring Global/Historical Filmic Shakespearean Tragedy (Mark Thornton Burnett). 8. Cross-Cultural Interpretation: reading Kurosawa Reading Shakespeare(Anthony Dawson). 9. Popular Culture: Will People: Recent Parody Popularization (Douglas Lanier). 10. Television Brushing Up Relevance Televise Form (Roberta Pearson William Uricchio). 11. Remediation: among Pixelvisionaries: Video Art, Authenticity, "Wisdom" Almereyda's (Peter S. Donaldson). Afterword: Unending Revels: Visual Pleasure Compulsory (Kathleen McLuskie). Select Bibliography. Index.