作者: Aleksey Nikolsky
关键词: Homophony 、 Music and emotion 、 Chromaticism 、 Music psychology 、 Folk music 、 Linguistics 、 Tonality 、 Psychology 、 Musicality 、 Music theory
摘要: This paper reveals the way in which musical pitch works as a peculiar form of cognition that reflects upon organization surrounding world perceived by majority music users within socio-cultural formation. Part-1 this described origin tonal from verbal speech, its progress indefinite to definite pitch, and emergence two main harmonic orders: heptatonic pentatonic, each characterized own method handling tension at both domains, social organization. Part-2, here, completes line historic development Antiquity seventeenth century. Vast archeological data is used identify perception structures tells apart temple/palace urban civilizations folk village cultures. The "mega-pitch-set" (MPS) found constitute principal contribution math-based theory new diatonic order. All ramifications for psychology are discussed detail. "Non-octave hypermode" identified homogenous type MPS, typical plainchant. chromaticism thoroughly examined an earmark "art-music" opposes earlier forms music. role aesthetic emotions formation chromatic alteration defined. system traced throughout history, highlighting modern implementation "hemiolic modes." connection between spatial pictorial art established Baroque culture, then tracked back prehistoric times. Both shown present abstraction environmental topographic schemes, proposed primary medium cultivation through concept pitch. comparison stages typologies texture define overall course evolution. Tonal culture thinking, adopted standard optimize individual reality group optimal one's success, thereby setting conventions intellectual emotional intelligence.