Geopower: A panel on Elizabeth Grosz's Chaos, Territory, Art: Deleuze and the Framing of the Earth

摘要: Rather than understand art as cultural accomplishment, Elizabeth Grosz argues that it is born from the intensities of chaos and disruptive forms sexual selection—a corporeality vibrates to hum universe. contends precisely this excessive, nonproductive expenditure attraction condition for art’s work. This intimate corporeality, composed nonhuman forces, what draws transforms cosmos, prompting experimentation with materiality, sensation, life. In book Chaos, Territory, Art: Deleuze Framing Earth (2008, Duke University Press, Durham, NC), subject panel discussion, sets out an ontology art, looking at its emergence territorialising force, selection, power. Grosz’s terms, existence. not a narrow understanding practice about taste, or reflection society, but is—at most provocative—an extraction universe elaboration on it. ‘geoaesthetics’, both biospheric biopolitical, presents formable challenge geographers interested in sexuality, time, territorialisation earth. How might we distinctly different kind biopolitics? And concept ‘geopower’ offer terms renegotiation more active ‘geo’ geopolitics? tied reproduction known, possibility new, overcoming containment present elaborate futures yet come. rethinking selection suggests intensely political role bioaesthetics charged creation new worlds makes radical argument feminist philosophy biosphere our thinking world otherwise.