On the structure of dispositions. Transposability of and oppositions between aesthetic dispositions

摘要: Cultural sociology has reached conclusions about the properties of dispositions based on analyses aesthetic principles external to individual. I challenge this approach, and reflect two assumptions regarding structure prevalent in cultural that ensue from approach: (1) Dispositions are transposable across domains (e.g., music, literature, visual arts), (2) there exists one hegemonic configuration which can be derived field. use data an audience survey art museums Flanders (Belgium) (n = 1448) analyse towards arts music. Applying Relational Class Analysis, find different dispositional configurations. These configurations characterised by oppositions between do not coincide with Moreover, these suggest vary extent they domains.