作者: Komal Ansari , Saima Jaffri , Sanaullah Ansari
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摘要: Much like teaching methods, research methodologies can be embraced in varied formats. The choice of such methods must, however, be aligned with the nature area studies being researched. Often seen as an apparentmove away from mainstream to adoption of unconventional paradigms, Creative Writing has emerged as a discipline outside rest academic realm. It is seen as a form of that dwells on research-oriented yet “subjective” practice of writers. Being thus, Arts in general and Creative content particular tend shy from the more acknowledged manner investigating problems, collecting data, and presenting conclusions a proper format. In standard research, brief statement aims, theoretical framework, literature review, methodology, concrete analyses leading to conclusive results, etc., are deemed necessary parts an empirical paper. In priority contrary is diverted exhibition creative products artefacts, which are the discipline’s focal tool trade. Artistic practice is be used asthe principal method, without necessarily utilizing problem identification-exploration-investigation-analysis-conclusion frame, completely unlike qualitative, quantitative, or other existing methodologies. This article will explore two novelpractice-oriented inquiry have now come into focus in Research. Each ensues traditional “interpretative” philosophical paradigm, eventually leads a “Performative” data creation analysis strategy, unlike the traditional qualitative quantitative collection modes.