Film and the Law

摘要: 1. Film and the Law: an Orientation Law Scholarship Methodology Language Empirical Work Causation The Heterogeneous Goals of Popular Culture 2. Penetration Framework Legal Education Context-the Role Socio-legal Imagination Use(s) Teaching Courses 3. Theoretical underpinnings physical boundaries-defining territory Dramatic Dimension Visuality Image Cult Robe: Dress Appearance in Defining Parameters Film: Academic Approaches Inside Courtroom Phases Conclusion 4. Strictly Courtroom? Genre Critical Aspects Drama Laughing at 5. British From to Iconography Britishness Protection Representations Films 6. Military Justice on Screen Filming Scapegoat Uniform Legality Context 7. Assessing Cinematic Lawyers (I): Heroes Villains Heroic Lawyer: When Atticus Met Lincoln Flawed Characters? Good/Bad Categories 8. (II): Alternative Categorisations Introduction 9. Missing (in) Action Judges Invisible Judge Corrupt Troubled Comic Political as Protagonists-the under Spotlight 10. Juries Importance Jury Selection Deliberation Compensatory 11. Fact, Fiction Cinema Presumed Accurate? Facts, Cases Documentary Developments 21st Century Who Owns History? Whose Story? 12. Specificities Common Themes 13. Love Vigilantes: Private Eyes Beyond Vigilantes Eye Eye: Politics Changes Existential Hero Fighting Evil Stylites Return Everyday Life Angst Postmodern Investigator 14. Playing with a Different Sex Gender Visibility Female Narrative Tropes Subservience Emotional Dependence Repressed Daughter Professional Inadequacy Changing Woman Lawyer Discreet Object Desire? Competent Counsel US 1980s Supporting Cast Demise Rebecka Martinsson: An for Women Lawyers? Gay, Lesbian Bisexual Portrayals 15. Minority Report? Ethnicity Ethnic Representation Race Imperialist Era Foreignness Home Front Question Integration Black Asian Experience 16. Future Trajectories Possibilities Sometimes I Fantasize: Celestial Cyber Safe European Home? Europe France Germany Spain Current Debates Directions Bibliography Index