作者: Vera Dika
DOI:
关键词:
摘要: The reuse of images, plots and genres from film history has become prominent in contemporary culture. In this study, Vera Dika explores phenomenon a broad range critical perspectives, examining works art that resist the pull past. provides an in-depth analysis several media, including performance, photography, Punk film, examples mainstream American European cinema. Proclaiming renewed importance image genre, she investigates as diverse Cindy Sherman's Untitled Film Stills, Amos Poe's Foreigner, Terence Malick's Badlands, Francis Ford Coppola's One Heart. Her study positions avant-garde work within context practice, well relationship to their historical moment.